Rebel Without A Cause By Nicholas Ray - 1004 Words

Rebel Without a Cause (Nicholas Ray, 1955) is a film of the coming of age genre. The film depicts troubled teenagers looking for answers and contemplating about their lives. Rebel Without a Cause showcases the coming of age genre perfectly. The genre is showcased throughout the entire film by showcasing the teenager’s issues, worries about being a teenager, and troubled lives at home. Furthermore, the film heavily focuses on the issues of how the teenagers aren’t loved, given attention, or understood by their families. The film clearly represents the socio-political views of the 1950s. The Post-War during the 1950s brought a lot booms such as booming of the economy, the rise of suburbia, and the baby boom. The post war era also brought a lot of conformity in different aspects such as political, social, and cultural. After the end of WWII, the gender roles changed for men and women. Traditional roles were reaffirmed. Men were expected to be the breadwinners and the stro ng one in a relationship. Women were expected to be caring mothers, obedient wives, and take care of the children and house. The social ideal of the perfect American family and devotion to family brought on a lot dissatisfaction from women who wanted a more fulfilling life. The Post-War brought a lot of prosperity due to the economic boom. Citizens started moving to the suburbs and purchasing new cars and appliances. This in turn gave a lot of freedom and independence to teenagers. This newfound freedomShow MoreRelatedThe Movie Rebel Without A Cause ``1472 Words   |  6 PagesCould there be such a thing as a world without any parents? Well, in Nicholas Ray’s 1955 film, Rebel Without a Cause, that seems to be the case. Parents are present in the film, but it is the fact that they are virtually non-existent in their authority or role as a parent in this film. It is due to this lack of mentoring that the teenagers, such as Jim and Plato, are so misguided in their conduct and act rebellious. However, it is this exactly that Ray wants the audience to take from the film andRead MoreRebel Without a Cause2384 Words   |  10 Pages1955 marked the year in which Nicholas Rays film Rebel Without a Cause was released as the latest Hollywood success. With its revolutionary acting and modern style, Rebel Without a Cause proved to be an ideal example of progressive, contemporary cinema. Amidst these factors is the intricate screenplay regarding a rebellious adolescent and his troubled relationships with his family and new found friends. Unfortunately, this was a film that was produced in the mid-1950s, a time when the self-censorshipRead MoreBigger Than Life By Nicholas Ray1593 Words   |  7 PagesNicholas Ray’s Bigger Than Life is a story of an American family man who tries to have it all and fails because of his addiction. In an effort to visually portray this, Ray largely abandons conventional Cinemascope practices and tends to revert to the paradig ms of the Academy ratio. Rather than using Cinemascope to highlight spectacle, Ray films a small family melodrama. Instead of splitting the screen into thirds and adjusting the mise-en-scà ¨ne to visually fill up the screen, Ray uses close-upsRead MoreThe Movie Romeo And Juliet 1568 Words   |  7 PagesNicholas Ray was inspired by play Romeo and Juliet when directing Rebel Without a Cause because of the plot and the theme of the main characters struggling to find who they truly are. The two pairs of characters grew up in a troublesome environment where their family was completely out of touch with their concerns. Furthermore, both pieces portray the life of juvenile delinquency resulting from the undeniable desire to form an unconventional family of their own. The opening credits foreshadow theRead MoreEssay on The Sounds of Rebel Without a Cause898 Words   |  4 Pages Director Nicholas Ray was lucky to have a talented composer create an original score for Rebel Without A Cause. Leonard Rosenman was born in 1924 and studied music in New York and Europe. His work as a film composer and arranger is very traditional, and has been regarded by some music critics as insignificant. However, Rosenman received Academy Awards and Oscar nominations for his work. Along with film scores, Rosenman wrote theme music and scores for numerous television shows. The score in RebelRead MoreThe Daughter Of A Commandment By Alexander Pusking2477 Words   |  10 PagesIn the story Silvio was just a soldier and a servant of a member of Russian nobility. The Russian military had won a bunch of wars. It was about revenge, and the hero was a soldier; that ties into the Russians liking their military. Silvio didn t rebel; he just went back to the army. Through th e villain, which would show that the author didn t like the upper class. Not that they liked Silvio a lot. The Count’s arrival as a rich neighbor is an important event in the lives of country people.The CountRead MoreAn Argument Against Auteur Theory.2750 Words   |  11 Pagesmajority of filmgoers whether they consider Rebel Without a Cause a James Dean film, or a Nicholas Ray work, I have little doubt that they would claim the artistic driving force to behind the picture to be James Dean. But at what point does an actor also become the Auteur?. Andrew Sarris famously stated, Feelings are expressed through actors, not by actors6. Perhaps this statement is yet another attempt to prove the supremacy of auteur theory, without first analyzing the magnitude in which a non-directorRead MoreImmigration And Its Cultural Practices3454 Words   |  14 Pagesnot, the price for the apartments depending on the location may increase every year by an average of 50 dollars. And with no proper insurance and stability of employment or finances as it is being a new immigrant, this can cause great stress. According to a news article by Nicholas Keung, an immigration reporter with Toronto Stars online tabloid published on Mon Apr 02, 2012, â€Å"Immigrants are the new hidden homeless†¦ living in overcrowded housing — an issue that has grown more acute, especially in TorontoRead MoreRational Appeasement15291 Words   |  62 Pagesavoiding or delaying conï ¬â€šict—does not require any rational negotiation or compromise+ On the contrary, the concessions envisioned are unilateral+7 Similarly, Rock deï ¬ nes a ppeasement as â€Å"the policy of reducing tensions with one’s adversary by removing the causes of conï ¬â€šict and disagreement,† a deï ¬ nition that does not require concessions on the part of an appeaser, and that renders the term a close synonym for â€Å"conciliation† or even â€Å"negotiation+† 8 In this deï ¬ nition, it is easy to see why appeasement mightRead MoreRastafarian79520 Words   |  319 PagesEdmonds The moral rights of the authors have been asserted Database right Oxford University Press (maker) All rights reserved. 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